In the waiting room of the sanctuary: Luis Lecea Romera’s “antecâmara”What is the role of a sanctuary? Can an object embody destruction and resistance? If the soil had a voice, what would it say? Luis Lecea…May 10, 2024May 10, 2024
Acid clouds over the Netherlands: Niels Schrader on data centre topologiesNiels Schrader, Eleni MaragkouMar 15, 2024Mar 15, 2024
“Faulty” GPUs, gold, forks, cooking pots or iron-rods: Recycling computers in Accra, GhanaCyrus KhalatbariMar 13, 2024Mar 13, 2024
Pour some ln2s, avoid condensation, win the prize: The environmentally-situated practices of liquid…Cyrus KhalatbariMar 13, 2024Mar 13, 2024
Permanently computed: The museum is burning. Can permacomputing help?Olivier Van D’huynslagerMar 13, 2024Mar 13, 2024
Imagination above productivity: Crafting a joyful resistance with permacomputingOla BonatiMar 13, 2024Mar 13, 2024
Hope for the best, prepare for the worst: Reclaiming agency in datafied timesEleni MaragkouMar 13, 2024Mar 13, 2024
FIBER x The Rest Is Noise: In conversation with Theresa BaumgartnerAhead of this year’s edition of FIBER x The Rest Is Noise, which will take place on Friday, January 5, we spoke with visual artist Theresa…Jan 4, 2024Jan 4, 2024
Hypernatural alchemy: Hedwich Rooks makes “elixirs of slow activism” out of matterThe contemporary alchemist talks to FIBER about her RE:SOURCE residency, working with matter, and the alternative imaginaries of energy.Nov 29, 2023Nov 29, 2023